The Art Part

An occasional blog about the ways we communicate our experience of the world

Tuesday, November 22, 2011

Film noir

http://theartpart.jonathanmorse.net/2011/11/film-noir/
Posted by Jonathan Morse at 12:45 PM

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About Me

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Jonathan Morse
Honolulu, Hawaii, United States
A professor of English at the University of Hawaii's Manoa campus, I'm primarily interested in two art forms: poetry and photography. At the bottom of this page you'll find a link to some of my photographs.
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  • BOMBLog
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  • Modern Art Notes
    Friday exhib: Charline von Heyl at Tate Liverpool
    8 hours ago
  • Conscientious
    Review: The Auckland Project by John Gossage and Alec Soth
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  • The Best American Poetry
    Good news; Exit from the Monkey House [by Jennifer Michael Hecht]
    11 hours ago
  • Uploads from The Library of Congress
    [Private Henry McCollum of Company B, 78th Pennsylvania Infantry Regiment and three unidentified soldiers in 78th Pennsylvania Infantry uniforms at Point Lookout, Tennessee] (LOC)
    11 hours ago
  • L E N S C R A T C H
    Sharon Tennant
    12 hours ago
  • detroitfunk.com
    Detroit’s Cass Corridor
    15 hours ago
  • Letters of Note
    No Ovaries Removed
    16 hours ago
  • Nomadics
    ON THE ROAD WITH BOB HOLMAN
    16 hours ago
  • NO CAPTION NEEDED
    The Historian’s Eye: Archiving for a Better Future
    18 hours ago
  • La Lettre de la Photographie
    Erica Lennard La Beauté des Femmes
    19 hours ago
  • Silliman's Blog
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  • The New Breed of Documentary Photographers
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Blog Archive

  • ►  2012 (14)
    • ►  February (8)
      • She reads Anne Sexton
      • From the red carpet: who are you wearing?
      • Jesus
      • Thinking of Titian, we fall asleep and become Aret...
      • Persistence of vision
      • Happy 3D, Mr. Dickens
      • Rosh Chodesh; or, Sidereus Nuncius
      • Origins of conservative thought
    • ►  January (6)
      • Educational exercise: look up the etymology of "ca...
      • Positions des mains: 3ème
      • "Snap shots of an event that may become historic"
      • Vicisti, Galilaee
      • Audio: Stephen Crane
      • Consider yourself duly scolded, and happy new year...
  • ▼  2011 (111)
    • ►  December (6)
      • Objets d'art
      • Arranging, deepening, enchanting night
      • For the new year, a cure for nostalgia
      • The idea of an earring
      • Combat journalism: from the front lines of the War...
      • Golden phoenix
    • ▼  November (4)
      • Williams Carlos Williams translates some words int...
      • Film noir
      • Star: dingbat
      • Some little animals
    • ►  October (5)
      • New photochapbook
      • Nataraj II
      • The apparition of these faces in the crowd
      • Orpheus, generalized to the inhuman
      • Accomplished fingers begin to play
    • ►  September (6)
      • Wagt zu sagen, was ihr Apfel nennt
      • Fugitive and cloistered pork offal
      • Color for Edward Weston
      • In the art world, size metamorphoses from a quanti...
      • The first time as tragedy. The second time as farc...
      • Questions with auxiliary imperative
    • ►  August (9)
      • Mots gratuits
      • Ramon Fernandez, tell me, if you know
      • Life: two temporary artifacts
      • O I perceive after all so many uttering tongues
      • Unvanquished sepia
      • Wallace Stevens, asserting the primacy of imaginat...
      • תהו ובהו , right to left
      • Subordinate clause: a sentence for the party of st...
      • Polychrome
    • ►  July (8)
      • A la barre: preparation, positions des mains, et a...
      • Perfect
      • The pitilessness of alphabetical order: two poets ...
      • De haut en bas: while engaged in boycotting Ahava ...
      • Scurvy, Negress, typewriter and fountain pen: a po...
      • Photobook "Blue / Sky"
    • ►  June (13)
    • ►  May (6)
    • ►  April (13)
    • ►  March (14)
    • ►  February (19)
    • ►  January (8)
  • ►  2010 (79)
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  • ►  2009 (53)
    • ►  December (3)
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    • ►  October (4)
    • ►  September (5)
    • ►  August (6)
    • ►  July (15)
    • ►  June (11)
    • ►  May (2)

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